Piero Manzoni, ‘Linea (frammento)’, ca. 1959, Phillips

Property Subject to the Artist's Resale Right (see Conditions of Sale for further information)

Germano Celant and Piero Manzoni, Catalogo Generale, Milan, 1975, no. 9 ct, p. 168 (illustrated)
Freddy Battino, Luca Palazzoli and Piero Manzoni, Catalogue Raisonné, Milan, 1991, no. 236 BM, p. 244 (illustrated)
Germano Celant, Piero Manzoni, Catalogo Generale, vol. II, Milan, 2004, no. 578, p. 478 (illustrated)

Sergio Dangelo, Milan
Dorotheum, Vienna, 24 November 2011, lot 1407
Acquired at the above sale by the present owner

About Piero Manzoni

Conceptual artist Piero Manzoni, an enfant terrible of Italian art in the 1950s and early 1960s, is best known for Artist's Shit (Merda d'artista) (1961), 90 sealed cans priced by their weight in gold, one of many works that question the nature of the art object. Other stunts included balloons filled with "artist's breath" and “Living Sculptures,” human subjects signed by Manzoni. His “Achromes” paintings (from 1957 onward), canvases covered in materials like gesso, kaolin, fabric, and bread that undergo sagging, creasing, and other temporal changes, suggest the influence of Yves Klein and Robert Rauschenberg.

Italian, 1933-1963, Soncino, Cremona

Solo Shows

Kamakura Gallery, 
Ginza, Chuo, Tokyo, Japan,
Piero Manzoni

Group Shows

Museo d'Arte Moderna e Contemporanea Ex Aurum, 
Pescara, Italy,
Cromofobie - Percorsi del Bianco e del Nero nell'Arte Italiana Contemporanea
Fondazione Malvina Menegaz, 
Castelbasso, Province of Teramo, Italy,
Nel Segno della Materia - Pittura Informale Europea e Americana
View Artist's CV