Pierre-Auguste Renoir, ‘Enfants jouant à la balle’, 1900, Christie's
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Enfants jouant à la balle, 1900

Lithograph in colours on Arches Ingres laid paper
35 7/10 × 24 3/5 in
90.7 × 62.5 cm
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About the work
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Christie's

Watermark MBM, from the edition of two hundred, the colours very fresh, the full sheet, with deckle …

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Pierre-Auguste Renoir
French, 1841–1919
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Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

Pierre-Auguste Renoir, ‘Enfants jouant à la balle’, 1900, Christie's
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About the work
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C
Christie's

Watermark MBM, from the edition of two hundred, the colours very fresh, the full sheet, with deckle edges, the sheet edges folded above, below and at left, otherwise in good original condition, framed.
Image 600 x 515 mm., Sheet 907 x 625 mm.

Christie's Special Notice
These lots have been imported from outside the …

Medium
Print
Pierre-Auguste Renoir
French, 1841–1919
Follow

Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

Enfants jouant à la balle, 1900

Lithograph in colours on Arches Ingres laid paper
35 7/10 × 24 3/5 in
90.7 × 62.5 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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