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Pierre-Auguste Renoir, ‘Femme au Cep de Vigne (Woman by the Grape Vine), 4th variant’, 1919, Georgetown Frame Shoppe
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Femme au Cep de Vigne (Woman by the Grape Vine), 4th variant, 1919

Lithograph
19 1/2 × 16 1/2 in
49.5 × 41.9 cm
Edition of 950
This is part of a limited edition set.
Contact For Price
Location
Washington DC
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Bibliography
Medium
Print
Signature
Signed in the stone
Series
Douze Lithographies
Pierre-Auguste Renoir
French, 1841–1919
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Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

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Pierre-Auguste Renoir, ‘Femme au Cep de Vigne (Woman by the Grape Vine), 4th variant’, 1919, Georgetown Frame Shoppe
Navigate right
Save
Save
View
View in room
Share
Share
About the work
Bibliography
Medium
Print
Signature
Signed in the stone
Series
Douze Lithographies
Pierre-Auguste Renoir
French, 1841–1919
Follow

Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

Femme au Cep de Vigne (Woman by the Grape Vine), 4th variant, 1919

Lithograph
19 1/2 × 16 1/2 in
49.5 × 41.9 cm
Edition of 950
This is part of a limited edition set.
Contact For Price
Location
Washington DC
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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Other works from Georgetown Frame Shoppe
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