Pierre-Auguste Renoir, ‘In the café’, ca. 1877, Kröller-Müller Museum
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In the café, ca. 1877

Oil on canvas
14 1/10 × 10 4/5 in
35.7 × 27.5 cm
Permanent collection
Want to sell a work by this artist? Consign with Artsy.
About the work
Kröller-Müller Museum
Otterlo

Everyday life
Together with Claude Monet, Auguste Renoir is one of the central figures of …

Medium
Pierre-Auguste Renoir
French, 1841–1919
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Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

Pierre-Auguste Renoir, ‘In the café’, ca. 1877, Kröller-Müller Museum
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View
View in room
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About the work
Kröller-Müller Museum
Otterlo

Everyday life
Together with Claude Monet, Auguste Renoir is one of the central figures of impressionism. But while Monet prefers to paint landscapes in the open air, Renoir takes everyday life as the theme for his paintings. He frequently enjoys painting in cafés, which also brings him all kinds of commissions for …

Medium
Pierre-Auguste Renoir
French, 1841–1919
Follow

Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

In the café, ca. 1877

Oil on canvas
14 1/10 × 10 4/5 in
35.7 × 27.5 cm
Permanent collection
Want to sell a work by this artist? Consign with Artsy.
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