Pierre-Auguste Renoir, ‘Pierre Renoir, de face from L'Estampe Originale’, c. 1893, Hindman
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Pierre Renoir, de face from L'Estampe Originale, c. 1893

Lithograph
11 1/2 × 9 in
29.2 × 22.9 cm
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About the work
Bibliography
Provenance
H
Hindman

Property from the Collection of Dr. and Mrs. Dale Kostiwa, St. Charles, Illinois

Medium
Signature
Signed and numbered 86 in pencil; from the edition of 100
Pierre-Auguste Renoir
French, 1841–1919
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Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

Pierre-Auguste Renoir, ‘Pierre Renoir, de face from L'Estampe Originale’, c. 1893, Hindman
Save
Save
View
View in room
Share
Share
About the work
Bibliography
Provenance
H
Hindman

Property from the Collection of Dr. and Mrs. Dale Kostiwa, St. Charles, Illinois

Medium
Signature
Signed and numbered 86 in pencil; from the edition of 100
Pierre-Auguste Renoir
French, 1841–1919
Follow

Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

Pierre Renoir, de face from L'Estampe Originale, c. 1893

Lithograph
11 1/2 × 9 in
29.2 × 22.9 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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