Pierre-Auguste Renoir, ‘The clown’, 1868, Kröller-Müller Museum
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The clown, 1868

Oil on canvas
76 1/5 × 51 1/5 in
193.5 × 130 cm
Permanent collection
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About the work
Kröller-Müller Museum
Otterlo

Commission
Auguste Renoir made this large painting on commission for the owner of the café of Cirque …

Medium
Pierre-Auguste Renoir
French, 1841–1919
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Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

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Pierre-Auguste Renoir, ‘The clown’, 1868, Kröller-Müller Museum
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About the work
Kröller-Müller Museum
Otterlo

Commission
Auguste Renoir made this large painting on commission for the owner of the café of Cirque d’Hiver, the winter circus in Paris. The clown in the middle of the ring is the then famous John Price, who performed together with his brother William as ‘clown-musiciens’. He entertained the Parisian public by, among …

Medium
Pierre-Auguste Renoir
French, 1841–1919
Follow

Best known for portraiture, figurative work, and his series of voluptuous bathing women, Pierre-Auguste Renoir was among the first group of French Impressionist painters. In the 1860s, he painted en plein air with Claude Monet, Frédéric Bazille, and Alfred Sisley in the forest of Fontainebleau. Rejecting traditional methods of building paintings with layers of thin glazes, the Impressionists worked spontaneously to capture the fleeting effects of light using bright pigments, large brushstrokes, and thick impasto. By the late 1870s, dissatisfied with the spontaneity of Impressionism, Renoir moved toward a more traditional, less experimental approach. By the 1890s, Renoir’s paintings recall the rich color of Titian and Rubens and the sensual beauty of 18th-century French art. Renoir was celebrated in the early 20th century as one of the greatest modern French painters.

The clown, 1868

Oil on canvas
76 1/5 × 51 1/5 in
193.5 × 130 cm
Permanent collection
Want to sell a work by this artist? Consign with Artsy.
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