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Pierre Bonnard, ‘Femmes au jardin, Femme à la pèlerine (Women in a Garden, Woman in a Blue Pelerine)’, 1890-1891, Musée d'Orsay
Pierre Bonnard, ‘Femmes au jardin, Femme à la pèlerine (Women in a Garden, Woman in a Blue Pelerine)’, 1890-1891, Musée d'Orsay
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Pierre Bonnard

Femmes au jardin, Femme à la pèlerine (Women in a Garden, Woman in a Blue Pelerine), 1890-1891

Oil on paper on canvas, decorative panel
63 1/10 × 18 9/10 in
160.3 × 48 cm
Location
Paris
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About the work
Exhibition history
Provenance
Medium
Painting
Image rights
© RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski © ADAGP, Paris 2015
Pierre Bonnard
French, 1867–1947
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Known for painting light-soaked interiors, nudes and still lives, Pierre Bonnard’s lush canvases echo Claude Monet and Henri Matisse. Bonnard played a central role in Nabis, a group emphasizing the basic aesthetic properties of painting. Describing his method, Bonnard has said, “the principal subject is the surface, which has its color, its laws over and above those of object.” Rather than simply observe and reproduce the world around him, Bonnard sought to instill each picture with, in the words of Nabis colleague Maurice Denis, “a beauty outside nature.”

Pierre Bonnard, ‘Femmes au jardin, Femme à la pèlerine (Women in a Garden, Woman in a Blue Pelerine)’, 1890-1891, Musée d'Orsay
Pierre Bonnard, ‘Femmes au jardin, Femme à la pèlerine (Women in a Garden, Woman in a Blue Pelerine)’, 1890-1891, Musée d'Orsay
Save
Save
View
View in room
Share
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Save
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View
View in room
Share
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About the work
Exhibition history
Provenance
Medium
Painting
Image rights
© RMN-Grand Palais (Musée d’Orsay) / Hervé Lewandowski © ADAGP, Paris 2015
Pierre Bonnard
French, 1867–1947
Follow

Known for painting light-soaked interiors, nudes and still lives, Pierre Bonnard’s lush canvases echo Claude Monet and Henri Matisse. Bonnard played a central role in Nabis, a group emphasizing the basic aesthetic properties of painting. Describing his method, Bonnard has said, “the principal subject is the surface, which has its color, its laws over and above those of object.” Rather than simply observe and reproduce the world around him, Bonnard sought to instill each picture with, in the words of Nabis colleague Maurice Denis, “a beauty outside nature.”

Pierre Bonnard

Femmes au jardin, Femme à la pèlerine (Women in a Garden, Woman in a Blue Pelerine), 1890-1891

Oil on paper on canvas, decorative panel
63 1/10 × 18 9/10 in
160.3 × 48 cm
Location
Paris
Want to sell a work by this artist? Consign with Artsy.
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