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Pierre Bonnard

Musee Nationale D'Art Moderne, 1955

Stone lithograph
28 1/2 × 19 3/4 in
72.4 × 50.2 cm
$875
location
Brooklyn
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About the work
ArtWise
Brooklyn
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Printed at Studio Mourlot, famed stoned lithograph printing house. Condition grade of "D" …

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Printed at Studio Mourlot, famed stoned lithograph printing house. Condition grade of "D" based on several small tears that do not exceed 2cm, and water damage in the bottom right corner taken. No significant damages in the paper's interior.

Publisher
Mourlot
Price ranges of prints by Pierre Bonnard
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Browse works in this category
$500–$1,000
This work
$0
$10,500+
Pierre Bonnard
French, 1867–1947
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Known for painting light-soaked interiors, nudes and still lives, Pierre Bonnard’s lush canvases echo Claude Monet and Henri Matisse. Bonnard played a central role in Nabis, a group emphasizing the basic aesthetic properties of painting. Describing his method, Bonnard has said, “the principal subject is the surface, which has its color, its laws over and above those of object.” Rather than simply observe and reproduce the world around him, Bonnard sought to instill each picture with, in the words of Nabis colleague Maurice Denis, “a beauty outside nature.”

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
ArtWise
Brooklyn
Follow

Printed at Studio Mourlot, famed stoned lithograph printing house. Condition grade of "D" …

Read more

Printed at Studio Mourlot, famed stoned lithograph printing house. Condition grade of "D" based on several small tears that do not exceed 2cm, and water damage in the bottom right corner taken. No significant damages in the paper's interior.

Publisher
Mourlot
Price ranges of prints by Pierre Bonnard
Learn more
Browse works in this category
$500–$1,000
This work
$0
$10,500+
Pierre Bonnard
French, 1867–1947
Follow

Known for painting light-soaked interiors, nudes and still lives, Pierre Bonnard’s lush canvases echo Claude Monet and Henri Matisse. Bonnard played a central role in Nabis, a group emphasizing the basic aesthetic properties of painting. Describing his method, Bonnard has said, “the principal subject is the surface, which has its color, its laws over and above those of object.” Rather than simply observe and reproduce the world around him, Bonnard sought to instill each picture with, in the words of Nabis colleague Maurice Denis, “a beauty outside nature.”

Pierre Bonnard

Musee Nationale D'Art Moderne, 1955

Stone lithograph
28 1/2 × 19 3/4 in
72.4 × 50.2 cm
$875
location
Brooklyn
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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