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Priscilla Monge

SUPERFICIES CURATIVAS/ROJO # 110 904114, 2016

Fotografía ampliada sobre papel de algodón y acrílico
33 1/2 × 27 1/5 in
85 × 69 cm
location
Valencia, Mexico City
Priscilla Monge
Costa Rican, b. 1968
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In her multimedia practice, Priscilla Monge explores the subtle machinations of power and its manifestations in the perfunctory aspects of life. Monge stages commonplace scenes, such as soccer pitches or tea parties, but undermines the innocuous quality of the familiar with bizarre or violent interventions. Based in San José, Costa Rica, Monge has participated in the Venice and Liverpool Biennials. In the latter, she constructed a soccer pitch with hills that impeded play. The installation questioned how changes to built environments alter behaviors. Although politically motivated, Monge’s work conveys a sense of whimsy that suggests an absurdist dimension.

Save
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View in room
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Save
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view
View in room
share
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Priscilla Monge
Costa Rican, b. 1968
Follow

In her multimedia practice, Priscilla Monge explores the subtle machinations of power and its manifestations in the perfunctory aspects of life. Monge stages commonplace scenes, such as soccer pitches or tea parties, but undermines the innocuous quality of the familiar with bizarre or violent interventions. Based in San José, Costa Rica, Monge has participated in the Venice and Liverpool Biennials. In the latter, she constructed a soccer pitch with hills that impeded play. The installation questioned how changes to built environments alter behaviors. Although politically motivated, Monge’s work conveys a sense of whimsy that suggests an absurdist dimension.

Priscilla Monge

SUPERFICIES CURATIVAS/ROJO # 110 904114, 2016

Fotografía ampliada sobre papel de algodón y acrílico
33 1/2 × 27 1/5 in
85 × 69 cm
location
Valencia, Mexico City
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