Cardinal Directions
Cardinal Directions

A small surveillance monitor on a stainless-steel stand rotates automatically to reveal a geolocalized poem. As the public walk around the piece it shows the cardinal directions and a text locked to them. The text is an excerpt from Vicente Huidobro's epic poem "Altazor" (1919-1931), which reads "The four cardinal directions are three: North and South".

About Rafael Lozano-Hemmer

Electronic artist Rafael Lozano-Hemmer's public art installations combine technology, architecture, and performance using devices like robotics, projections, and cell phones. He constructs "temporary anti-monuments for alien agency," as in Pulse Tank (2008), in which heart rate sensors send ripples across the surface of water, or the Guggenheim's 2009 installation Levels of Nothingness, which allowed people to speak into a computer that linked voice traits to colors that were projected across the room. His Vectorial Elevation (1999), in which 800,000 participants created searchlight sculptures above Mexico City, may well be the world's largest interactive artwork ever.

Mexican, b. 1967, Mexico City, Mexico, based in Mexico City, Mexico

Exhibition Highlights On Artsy

2016
Electronic Superhighway (2016 – 1966), Whitechapel Gallery, London
2015
Rafael Lozano-Hemmer: Lapsus Lumen, bitforms gallery, New York
2015
E-Merge, Arsenal Montréal+Toronto, Montreal
2012
2008
Rafael Lozano-Hemmer: Pulse Park, Madison Square Park, New York

Solo Shows on Artsy

2015
Rafael Lozano-Hemmer: Lapsus Lumen, bitforms gallery, New York
2014
Rafael Lozano-Hemmer: Obra Sonora, Carroll / Fletcher, London
2012
2008
Rafael Lozano-Hemmer: Pulse Park, Madison Square Park, New York

Group Shows on Artsy

2016
Electronic Superhighway (2016 – 1966), Whitechapel Gallery, London
2015
Memory Burn, bitforms gallery, New York
2015
E-Merge, Arsenal Montréal+Toronto, Montreal
2014
Pencil / Line / Eraser, Carroll / Fletcher, London
View Artist's CV