Ray Caesar, ‘Night Call’, 2012, Print, Digital Ultrachrome on Paper, Gallery House
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Ray Caesar

Night Call, 2012

Digital Ultrachrome on Paper
40 × 24 in
101.6 × 61 cm
Edition of 20 + 0AP
.
$12,000
Location
Toronto
Have a question? Visit our help center.
Medium
Condition
Perfect
Signature
Hand-signed by artist, front right
Price ranges of medium-sized prints by Ray Caesar
Learn more
More info
Browse works in this category
$11,900–$12,750
This work
$0
$20,400+
Ray Caesar
British, b. 1958
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Like dreams, Ray Caesar’s digital images, which are inspired by the figurative paintings of Jean-Antoine Watteau, are manifestations of unsettling childhood memories and the subconscious workings of the mind. Created with Maya, a 3-D modeling software that Caesar used to make digital animations for the film and television industry in the late 1990s, Caesar’s images are fantastic, glamorous caricatures that recall the paintings of John Currin and Lisa Yuskavage. “I take difficult memories and hidden emotions and turn them into something that at first glance seems pretty, then you notice something a little disturbing or an ingredient that you wonder why it might be there,” Caesar explains. “A little tainted, a little melancholy, a little funny, a little sad and a little taboo… I mix this with clocks and scissors and irons and knives and silk dresses hiding strange things un¬derneath.”

Ray Caesar, ‘Night Call’, 2012, Print, Digital Ultrachrome on Paper, Gallery House
Save
Save
View
View in room
Share
Share
Medium
Condition
Perfect
Signature
Hand-signed by artist, front right
Price ranges of medium-sized prints by Ray Caesar
Learn more
More info
Browse works in this category
$11,900–$12,750
This work
$0
$20,400+
Ray Caesar
British, b. 1958
Follow

Like dreams, Ray Caesar’s digital images, which are inspired by the figurative paintings of Jean-Antoine Watteau, are manifestations of unsettling childhood memories and the subconscious workings of the mind. Created with Maya, a 3-D modeling software that Caesar used to make digital animations for the film and television industry in the late 1990s, Caesar’s images are fantastic, glamorous caricatures that recall the paintings of John Currin and Lisa Yuskavage. “I take difficult memories and hidden emotions and turn them into something that at first glance seems pretty, then you notice something a little disturbing or an ingredient that you wonder why it might be there,” Caesar explains. “A little tainted, a little melancholy, a little funny, a little sad and a little taboo… I mix this with clocks and scissors and irons and knives and silk dresses hiding strange things un¬derneath.”

Ray Caesar

Night Call, 2012

Digital Ultrachrome on Paper
40 × 24 in
101.6 × 61 cm
Edition of 20 + 0AP
.
$12,000
Location
Toronto
Have a question? Visit our help center.
Other works by Ray Caesar
Related works
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