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Ray Caesar

The Manager, 2017

Edition of 20 Digital Ultrachrome on Archival Paper
36 × 24 in
91.4 × 61 cm
This is part of a limited edition set.
$5,000 - 7,500
location
Munich, München
Have a question? Read our FAQ.
Price ranges of large prints by Ray Caesar
Learn more
Browse works in this category
$7,200–$7,800
This work
$0
$15,600+
Ray Caesar
British, b. 1958
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Like dreams, Ray Caesar’s digital images, which are inspired by the figurative paintings of Jean-Antoine Watteau, are manifestations of unsettling childhood memories and the subconscious workings of the mind. Created with Maya, a 3-D modeling software that Caesar used to make digital animations for the film and television industry in the late 1990s, Caesar’s images are fantastic, glamorous caricatures that recall the paintings of John Currin and Lisa Yuskavage. “I take difficult memories and hidden emotions and turn them into something that at first glance seems pretty, then you notice something a little disturbing or an ingredient that you wonder why it might be there,” Caesar explains. “A little tainted, a little melancholy, a little funny, a little sad and a little taboo… I mix this with clocks and scissors and irons and knives and silk dresses hiding strange things un¬derneath.”

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
Price ranges of large prints by Ray Caesar
Learn more
Browse works in this category
$7,200–$7,800
This work
$0
$15,600+
Ray Caesar
British, b. 1958
Follow

Like dreams, Ray Caesar’s digital images, which are inspired by the figurative paintings of Jean-Antoine Watteau, are manifestations of unsettling childhood memories and the subconscious workings of the mind. Created with Maya, a 3-D modeling software that Caesar used to make digital animations for the film and television industry in the late 1990s, Caesar’s images are fantastic, glamorous caricatures that recall the paintings of John Currin and Lisa Yuskavage. “I take difficult memories and hidden emotions and turn them into something that at first glance seems pretty, then you notice something a little disturbing or an ingredient that you wonder why it might be there,” Caesar explains. “A little tainted, a little melancholy, a little funny, a little sad and a little taboo… I mix this with clocks and scissors and irons and knives and silk dresses hiding strange things un¬derneath.”

Ray Caesar

The Manager, 2017

Edition of 20 Digital Ultrachrome on Archival Paper
36 × 24 in
91.4 × 61 cm
This is part of a limited edition set.
$5,000 - 7,500
location
Munich, München
Have a question? Read our FAQ.
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