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Broken at last, 2004

Ink on paper
19 3/10 × 14 in
48.9 × 35.6 cm
location
Madrid
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About the work
Raymond Pettibon
American, b. 1957
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Having emerged from the Southern California DIY culture and its punk-rock sensibility, Raymond Pettibon fuses together youthful edginess and political engagement. Drawing from disparate cultural sources—from Marcel Proust to the Bible—the artist’s cartoon-inspired ink drawings on unframed paper recall the look of fanzines and concert flyers, however with an often cryptic semblance of narrative. More recently, Pettibon’s works have been a sustained critique of the Iraq War and American foreign policy, such as No Title ("Why press him?") (2007), which depicts George W. Bush with bloodied hands and surrounded by pointed, ironic commentary. Pettibon was a recipient of the Whitney's Bucksbaum award in 2004.

navigate left
navigate right
Save
Save
view
View in room
share
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Save
Save
view
View in room
share
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About the work
Raymond Pettibon
American, b. 1957
Follow

Having emerged from the Southern California DIY culture and its punk-rock sensibility, Raymond Pettibon fuses together youthful edginess and political engagement. Drawing from disparate cultural sources—from Marcel Proust to the Bible—the artist’s cartoon-inspired ink drawings on unframed paper recall the look of fanzines and concert flyers, however with an often cryptic semblance of narrative. More recently, Pettibon’s works have been a sustained critique of the Iraq War and American foreign policy, such as No Title ("Why press him?") (2007), which depicts George W. Bush with bloodied hands and surrounded by pointed, ironic commentary. Pettibon was a recipient of the Whitney's Bucksbaum award in 2004.

Broken at last, 2004

Ink on paper
19 3/10 × 14 in
48.9 × 35.6 cm
location
Madrid
Want to sell a work by this artist? Consign with Artsy.
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