Red Grooms, ‘The Tin Drum (Woman Reading)’, 1964, Painting, Oil on board, Doyle
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Red Grooms

The Tin Drum (Woman Reading), 1964

Oil on board
5 1/2 × 7 1/2 in
14 × 19.1 cm
Bidding closed
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About the work
Exhibition history
Provenance
D
Doyle
Medium
Signature
Signed Red Grooms and dated 64 (lr)
Red Grooms
American, b. 1937
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Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhattan from Battery Park to Grant’s tomb,” Grooms explained. The comic-book inspired interactive installation included iconic landmarks—the subway, Central Park, the Apollo Theater, the Woolworth building—populated by life-sized wooden figures of prostitutes, thieves, gamblers, tourists, shoppers, and families, revealing the city’s grit as well as its glamour. It was lauded for its effect of turning Manhattan—then threatening and oppressive—into a place of wonder. Since then, Grooms has “made a career of affectionate parody,” according one critic, through satirical, pop culture-infused prints and sculptural tableaux in homage to his adopted city.

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Red Grooms, ‘The Tin Drum (Woman Reading)’, 1964, Painting, Oil on board, Doyle
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Save
Save
View
View in room
Share
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About the work
Exhibition history
Provenance
D
Doyle
Medium
Signature
Signed Red Grooms and dated 64 (lr)
Red Grooms
American, b. 1937
Follow

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhattan from Battery Park to Grant’s tomb,” Grooms explained. The comic-book inspired interactive installation included iconic landmarks—the subway, Central Park, the Apollo Theater, the Woolworth building—populated by life-sized wooden figures of prostitutes, thieves, gamblers, tourists, shoppers, and families, revealing the city’s grit as well as its glamour. It was lauded for its effect of turning Manhattan—then threatening and oppressive—into a place of wonder. Since then, Grooms has “made a career of affectionate parody,” according one critic, through satirical, pop culture-infused prints and sculptural tableaux in homage to his adopted city.

Red Grooms

The Tin Drum (Woman Reading), 1964

Oil on board
5 1/2 × 7 1/2 in
14 × 19.1 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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