Red Grooms, ‘Untitled’, 1973, Onessimo Fine Art

Printer: Styria Studio, New York.
"[Grooms] scenes typically capture figures engaged in places and activities characteristic of the United States, presenting a humorous and/or satirical view of contemporary life. Although deeply rooted in American culture, Grooms' work conveys a sense of humor and an appreciation of human nature that is universally understood."

Series: "Works by Artists in the New York Collection for Stockholm"

Signature: Signed in Pencil

Publisher: Experiments in Art and Technology (E.A.T.), New York

About Red Grooms

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhattan from Battery Park to Grant’s tomb,” Grooms explained. The comic-book inspired interactive installation included iconic landmarks—the subway, Central Park, the Apollo Theater, the Woolworth building—populated by life-sized wooden figures of prostitutes, thieves, gamblers, tourists, shoppers, and families, revealing the city’s grit as well as its glamour. It was lauded for its effect of turning Manhattan—then threatening and oppressive—into a place of wonder. Since then, Grooms has “made a career of affectionate parody,” according one critic, through satirical, pop culture-infused prints and sculptural tableaux in homage to his adopted city.

American, b. 1937, Nashville, Tennessee, based in New York, New York