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St. Jerome in a Dark Chamber, 1642

Etching with plate tone
5 9/10 × 6 7/10 in
15 × 17 cm
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A detailed and delicate impression of New Hollstein's second state (of three) with curtain at …

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A detailed and delicate impression of New Hollstein's second state (of three) with curtain at right partly burnished into a concave outline, before any later re-working, on laid paper with partial watermark of a Strasbourg lily crown [probably Hinterding's 'C-i-a', datable to 1642], sheet 150 x 170 mm. …

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Rembrandt van Rijn
Dutch, 1606–1669
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A prolific painter, draftsman, and etcher, Rembrandt van Rijn is considered the greatest artist of Holland's Golden Age. He worked from direct observation, and despite the evolution of his style over the course of his career, Rembrandt’s compelling descriptions of light, space, atmosphere, modeling, texture, and human affect are the result of intense perceptual study. A prominent portraitist, Rembrandt is most famous for The Night Watch (1642), a monumental painting of militia guards that features Rembrandt’s distinctive use of chiaroscuro.

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About the work
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Forum Auctions

A detailed and delicate impression of New Hollstein's second state (of three) with curtain at …

Read more

A detailed and delicate impression of New Hollstein's second state (of three) with curtain at right partly burnished into a concave outline, before any later re-working, on laid paper with partial watermark of a Strasbourg lily crown [probably Hinterding's 'C-i-a', datable to 1642], sheet 150 x 170 mm. …

Read more
Rembrandt van Rijn
Dutch, 1606–1669
Follow

A prolific painter, draftsman, and etcher, Rembrandt van Rijn is considered the greatest artist of Holland's Golden Age. He worked from direct observation, and despite the evolution of his style over the course of his career, Rembrandt’s compelling descriptions of light, space, atmosphere, modeling, texture, and human affect are the result of intense perceptual study. A prominent portraitist, Rembrandt is most famous for The Night Watch (1642), a monumental painting of militia guards that features Rembrandt’s distinctive use of chiaroscuro.

St. Jerome in a Dark Chamber, 1642

Etching with plate tone
5 9/10 × 6 7/10 in
15 × 17 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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