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René Magritte

La mémoire/Die Erinnerung II, 1948

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About the work
Centre for Fine Arts (BOZAR)
Brussels
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Propriété de l’Etat belge en dépôt au Musée d’Ixelles, Bruxelles

Propriété de l’Etat belge en dépôt au Musée d’Ixelles, Bruxelles

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Painting
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Propriété de l’Etat belge en dépôt au Musée d’Ixelles, Bruxelles
René Magritte
Belgian, 1898–1967
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With his highly cerebral Surrealist imagery, René Magritte breathed new life into seemingly conventional subject matter. He often painted everyday objects out of context, in juxtapositions forcing the viewer to reconsider things normally taken for granted. In his iconic trompe l’oeil work The Treachery of Images (1928-29), for example, Magritte painted a hyperrealistic pipe and wrote, just beneath it, “this is not a pipe”—a caution not to trust our eyes and reminder that the art object, no matter how convincing, is not the real thing. Magritte’s highly figurative style of Surrealism is often discussed along the work of Salvador Dalí and Giorgio de Chirico, and his persistent interrogation of objects has both influenced and paved the way for seminal artistic movements, from Conceptualism to Pop art.

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About the work
Centre for Fine Arts (BOZAR)
Brussels
Follow

Propriété de l’Etat belge en dépôt au Musée d’Ixelles, Bruxelles

Propriété de l’Etat belge en dépôt au Musée d’Ixelles, Bruxelles

Medium
Painting
Image rights
Propriété de l’Etat belge en dépôt au Musée d’Ixelles, Bruxelles
René Magritte
Belgian, 1898–1967
Follow

With his highly cerebral Surrealist imagery, René Magritte breathed new life into seemingly conventional subject matter. He often painted everyday objects out of context, in juxtapositions forcing the viewer to reconsider things normally taken for granted. In his iconic trompe l’oeil work The Treachery of Images (1928-29), for example, Magritte painted a hyperrealistic pipe and wrote, just beneath it, “this is not a pipe”—a caution not to trust our eyes and reminder that the art object, no matter how convincing, is not the real thing. Magritte’s highly figurative style of Surrealism is often discussed along the work of Salvador Dalí and Giorgio de Chirico, and his persistent interrogation of objects has both influenced and paved the way for seminal artistic movements, from Conceptualism to Pop art.

René Magritte

La mémoire/Die Erinnerung II, 1948

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