René Magritte, ‘Les Marches de l’été’, 1938, Centre Pompidou

Centre Pompidou, Musée national d’art moderne, Paris Achat, 1991

Image rights: © Coll. Centre Pompidou, Musée national d’art moderne / Photo : Philippe Migeat © ADAGP, Paris 2016

"René Magritte: La trahison des images"

Venue: Centre Pompidou, Paris (2016)

About René Magritte

With his highly cerebral Surrealist imagery, René Magritte breathed new life into seemingly conventional subject matter. He often painted everyday objects out of context, in juxtapositions forcing the viewer to reconsider things normally taken for granted. In his iconic trompe l’oeil work The Treachery of Images (1928-29), for example, Magritte painted a hyperrealistic pipe and wrote, just beneath it, “this is not a pipe”—a caution not to trust our eyes and reminder that the art object, no matter how convincing, is not the real thing. Magritte’s highly figurative style of Surrealism is often discussed along the work of Salvador Dalí and Giorgio de Chirico, and his persistent interrogation of objects has both influenced and paved the way for seminal artistic movements, from Conceptualism to Pop art.

Belgian, 1898-1967, Lessines, Belgium, based in Brussels, Belgium