Deeply concerned with the racial discrepancies in society, the African American artist Renee Cox explores black identity through photography, collage, video, and other media, using the body to displace religious symbols from the white-centric paradigm. "I have a right to reinterpret the Last Supper as Leonardo da Vinci created the Last Supper with people who look like him. . . . It's about me having nothing to hide," the artist has said. Experimenting with freedom of speech and expression, the artist creates works that render gender politics, race, and sexuality aesthetically and politically controversial.

Selected exhibitions
2018
EveCuratedbyAmarGallery
Half the Picture: A Feminist Look at the CollectionBrooklyn Museum
2015
Rush20: 1995-2015Rush Philanthropic Arts Foundation
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Coon Square, 2015

Printed Inkjet and Silkscreen
Edition of 120
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Deeply concerned with the racial discrepancies in society, the African American artist Renee Cox explores black identity through photography, collage, video, and other media, using the body to displace religious symbols from the white-centric paradigm. "I have a right to reinterpret the Last Supper as Leonardo da Vinci created the Last Supper with people who look like him. . . . It's about me having nothing to hide," the artist has said. Experimenting with freedom of speech and expression, the artist creates works that render gender politics, race, and sexuality aesthetically and politically controversial.

Selected exhibitions (3)
Other works from Rush20: 1995-2015
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