Richard Aldrich, ‘Untitled’, 2008, Phillips
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Richard Aldrich

Untitled, 2008

Oil, wax, paper and almonds on linen
84 × 58 in
213.4 × 147.3 cm
Bidding closed
About the work
Exhibition history
Bibliography
Provenance
P
Phillips
Medium
Mixed Media
Signature
Signed, inscribed and dated "Monogram Painting Richard Aldrich 08" on the overlap; further inscribed "La Belle Noiseuse" on the stretcher
Richard Aldrich
American, b. 1975
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In his installations, paintings, and the narratives he writes to accompany his works, Richard Aldrich engages in a dialogic relationship with art history and artmaking. Many of Aldrich’s vigorously painted canvases pay homage to their Abstract Expressionist antecedents, while others, such as the mixed-media Future Painting from Machine (orange and green), 2005, exhibit a unique signature style. Aldrich often uses text, as well as known and not so well known literary and musical icons.

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Richard Aldrich, ‘Untitled’, 2008, Phillips
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Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Bibliography
Provenance
P
Phillips
Medium
Mixed Media
Signature
Signed, inscribed and dated "Monogram Painting Richard Aldrich 08" on the overlap; further inscribed "La Belle Noiseuse" on the stretcher
Richard Aldrich
American, b. 1975
Follow

In his installations, paintings, and the narratives he writes to accompany his works, Richard Aldrich engages in a dialogic relationship with art history and artmaking. Many of Aldrich’s vigorously painted canvases pay homage to their Abstract Expressionist antecedents, while others, such as the mixed-media Future Painting from Machine (orange and green), 2005, exhibit a unique signature style. Aldrich often uses text, as well as known and not so well known literary and musical icons.

Richard Aldrich

Untitled, 2008

Oil, wax, paper and almonds on linen
84 × 58 in
213.4 × 147.3 cm
Bidding closed
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