Richard Hamilton, ‘Flower Piece Progressives’, 1974, Forum Auctions
Richard Hamilton, ‘Flower Piece Progressives’, 1974, Forum Auctions
Richard Hamilton, ‘Flower Piece Progressives’, 1974, Forum Auctions
Richard Hamilton, ‘Flower Piece Progressives’, 1974, Forum Auctions
Richard Hamilton, ‘Flower Piece Progressives’, 1974, Forum Auctions
Richard Hamilton, ‘Flower Piece Progressives’, 1974, Forum Auctions
Richard Hamilton, ‘Flower Piece Progressives’, 1974, Forum Auctions

Each signed, titled and numbered in roman numerals from the edition of 24 in pencil, on BFK Rives wove paper, printed and published by Atelier Crommelynck and the Petersburg Press, Paris, the full sheets loose (as issued) and housed within the original card portfolio, overall 660 x 520mm (26 x 20 1/2in) (unframed) (7)

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About Richard Hamilton

In his celebrated collages, Richard Hamilton explored the relationship between fine art, product design, and popular culture, setting the stage for Pop art. His most iconic work, Just What Is it that Makes Today’s Homes So Different, So Appealing? (1956)—a scene comprised of images cut from magazines ads, showing a semi-nude couple in their living space—was produced for the groundbreaking exhibition “This is Tomorrow,” organized by the Independent Group at the Whitechapel Art Gallery in London in 1956. Throughout his career, Hamilton continued to break down hierarchies of artistic value, making silkscreens of Mick Jagger’s drug arrest, producing studies of industrial design objects (like toasters), and designing the cover of the Beatles’ 1968 White Album.

British, 1922-2011, London, United Kingdom