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Patricia Knight II, 1982

Lift-ground and step bite aquatint open bite, aquatint, scraper and burnisher
15 × 11 1/5 in
38.1 × 28.4 cm
Edition of 50
This is part of a limited edition set.
Contact For Price
location
New York, London
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Medium
Print
Condition
Unframed, mint condition
Signature
Hand-signed by artist, Signed and numbered in pencil on lower margin
Certificate of authenticity
Included
Frame
Not included
Richard Hamilton
British, 1922–2011
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In his celebrated collages, Richard Hamilton explored the relationship between fine art, product design, and popular culture, setting the stage for Pop art. His most iconic work, Just What Is it that Makes Today’s Homes So Different, So Appealing? (1956)—a scene comprised of images cut from magazines ads, showing a semi-nude couple in their living space—was produced for the groundbreaking exhibition “This is Tomorrow,” organized by the Independent Group at the Whitechapel Art Gallery in London in 1956. Throughout his career, Hamilton continued to break down hierarchies of artistic value, making silkscreens of Mick Jagger’s drug arrest, producing studies of industrial design objects (like toasters), and designing the cover of the Beatles’ 1968 White Album.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Medium
Print
Condition
Unframed, mint condition
Signature
Hand-signed by artist, Signed and numbered in pencil on lower margin
Certificate of authenticity
Included
Frame
Not included
Richard Hamilton
British, 1922–2011
Follow

In his celebrated collages, Richard Hamilton explored the relationship between fine art, product design, and popular culture, setting the stage for Pop art. His most iconic work, Just What Is it that Makes Today’s Homes So Different, So Appealing? (1956)—a scene comprised of images cut from magazines ads, showing a semi-nude couple in their living space—was produced for the groundbreaking exhibition “This is Tomorrow,” organized by the Independent Group at the Whitechapel Art Gallery in London in 1956. Throughout his career, Hamilton continued to break down hierarchies of artistic value, making silkscreens of Mick Jagger’s drug arrest, producing studies of industrial design objects (like toasters), and designing the cover of the Beatles’ 1968 White Album.

Patricia Knight II, 1982

Lift-ground and step bite aquatint open bite, aquatint, scraper and burnisher
15 × 11 1/5 in
38.1 × 28.4 cm
Edition of 50
This is part of a limited edition set.
Contact For Price
location
New York, London
Certificate
Certificate of authenticity
This work includes a certificate of authenticity.
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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