Medium
Signature
Signed in plate
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Photographer and filmmaker Richard Mosse focuses on war-torn regions, capturing the effects of conflict on landscapes and people in lush, cinematic images. Mosse situates his practice between documentary journalism and contemporary art practice, explaining that he seeks to represent the unrepresentable in order to “help us begin to describe, and thereby account for, what exists at the limits of human articulation.” The current American-Iraqi war and the ongoing rebel conflict in the Eastern Congo are among the conflicts Mosse has recorded. He is best known for “Infra” (2010-11), a series of luridly colored, large-scale photographs of the fighters, inhabitants, and landscapes of the Eastern Congo. By shooting with Kodak Aerochrome, an infrared surveillance film that renders greens into acid pinks and reds, Mosse offers a searing, psychedelic vision of the warscape and those who suffer within it.

Established
Represented by industry leading galleries.
Selected exhibitions
2021
Richard Mosse: Tristes TropiquesJack Shainman Gallery
2015
Richard MosseLouisiana Museum of Modern Art
Richard Mosse: The EnclaveNational Gallery of Victoria
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Suspicious Minds, 2012

Digital c-print
28 × 35 in
71.1 × 88.9 cm
.
Sold
Location
New York, Kinderhook
Certificate
This work includes a certificate of authenticity.
Medium
Signature
Signed in plate
Certificate of authenticity
Included

Photographer and filmmaker Richard Mosse focuses on war-torn regions, capturing the effects of conflict on landscapes and people in lush, cinematic images. Mosse situates his practice between documentary journalism and contemporary art practice, explaining that he seeks to represent the unrepresentable in order to “help us begin to describe, and thereby account for, what exists at the limits of human articulation.” The current American-Iraqi war and the ongoing rebel conflict in the Eastern Congo are among the conflicts Mosse has recorded. He is best known for “Infra” (2010-11), a series of luridly colored, large-scale photographs of the fighters, inhabitants, and landscapes of the Eastern Congo. By shooting with Kodak Aerochrome, an infrared surveillance film that renders greens into acid pinks and reds, Mosse offers a searing, psychedelic vision of the warscape and those who suffer within it.

Established
Represented by industry leading galleries.
Selected exhibitions (3)
More from this series
View series
Other works by Richard Mosse
Other works from Jack Shainman Gallery
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