Richard Mosse, ‘The Enclave’, 2012, National Gallery of Victoria
Richard Mosse, ‘The Enclave’, 2012, National Gallery of Victoria
Richard Mosse, ‘The Enclave’, 2012, National Gallery of Victoria
Richard Mosse, ‘The Enclave’, 2012, National Gallery of Victoria
Richard Mosse, ‘The Enclave’, 2012, National Gallery of Victoria
Richard Mosse, ‘The Enclave’, 2012, National Gallery of Victoria
Richard Mosse, ‘The Enclave’, 2012, National Gallery of Victoria

Produced in North and South Kivu, Eastern Democratic Republic of CongoDirector/Producer: Richard Mosse; Cinematographer: Editor Trevor Tweeten; Composer/Sound Designer: Ben Frost; Production Assistant:John Holten; Colourist: Jerome Thelia; 16 mm processing Rocky Mountain Film Lab; 16mm scanning Metropolis Film Labs

Image rights: © Richard Mosse, courtesy of the artist and Jack Shainman Gallery, New York

"Richard Mosse: The Enclave"

Venue: National Gallery of Victoria, Melbourne (2015-2016)

About Richard Mosse

Photographer and filmmaker Richard Mosse focuses on war-torn regions, capturing the effects of conflict on landscapes and people in lush, cinematic images. Mosse situates his practice between documentary journalism and contemporary art practice, explaining that he seeks to represent the unrepresentable in order to “help us begin to describe, and thereby account for, what exists at the limits of human articulation.” The current American-Iraqi war and the ongoing rebel conflict in the Eastern Congo are among the conflicts Mosse has recorded. He is best known for “Infra” (2010-11), a series of luridly colored, large-scale photographs of the fighters, inhabitants, and landscapes of the Eastern Congo. By shooting with Kodak Aerochrome, an infrared surveillance film that renders greens into acid pinks and reds, Mosse offers a searing, psychedelic vision of the warscape and those who suffer within it.

Irish, b. 1980, Kilkenny, Ireland, based in New York, New York