Richard Mosse, ‘The Enclave’, 2012, Video/Film/Animation, 1316mm infrared film transferred to HD video, National Gallery of Victoria
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Richard Mosse

The Enclave, 2012

1316mm infrared film transferred to HD video
National Gallery of Victoria
Melbourne

Produced in North and South Kivu, Eastern Democratic Republic of CongoDirector/Producer: Richard …

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Image rights
© Richard Mosse, courtesy of the artist and Jack Shainman Gallery, New York
Richard Mosse
Irish, b. 1980
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Photographer and filmmaker Richard Mosse focuses on war-torn regions, capturing the effects of conflict on landscapes and people in lush, cinematic images. Mosse situates his practice between documentary journalism and contemporary art practice, explaining that he seeks to represent the unrepresentable in order to “help us begin to describe, and thereby account for, what exists at the limits of human articulation.” The current American-Iraqi war and the ongoing rebel conflict in the Eastern Congo are among the conflicts Mosse has recorded. He is best known for “Infra” (2010-11), a series of luridly colored, large-scale photographs of the fighters, inhabitants, and landscapes of the Eastern Congo. By shooting with Kodak Aerochrome, an infrared surveillance film that renders greens into acid pinks and reds, Mosse offers a searing, psychedelic vision of the warscape and those who suffer within it.

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Richard Mosse, ‘The Enclave’, 2012, Video/Film/Animation, 1316mm infrared film transferred to HD video, National Gallery of Victoria
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National Gallery of Victoria
Melbourne

Produced in North and South Kivu, Eastern Democratic Republic of CongoDirector/Producer: Richard Mosse; Cinematographer: Editor Trevor Tweeten; Composer/Sound Designer: Ben Frost; Production Assistant:John Holten; Colourist: Jerome Thelia; 16 mm processing Rocky Mountain Film Lab; 16mm scanning Metropolis Film Labs

Medium
Image rights
© Richard Mosse, courtesy of the artist and Jack Shainman Gallery, New York
Richard Mosse
Irish, b. 1980
Follow

Photographer and filmmaker Richard Mosse focuses on war-torn regions, capturing the effects of conflict on landscapes and people in lush, cinematic images. Mosse situates his practice between documentary journalism and contemporary art practice, explaining that he seeks to represent the unrepresentable in order to “help us begin to describe, and thereby account for, what exists at the limits of human articulation.” The current American-Iraqi war and the ongoing rebel conflict in the Eastern Congo are among the conflicts Mosse has recorded. He is best known for “Infra” (2010-11), a series of luridly colored, large-scale photographs of the fighters, inhabitants, and landscapes of the Eastern Congo. By shooting with Kodak Aerochrome, an infrared surveillance film that renders greens into acid pinks and reds, Mosse offers a searing, psychedelic vision of the warscape and those who suffer within it.

Richard Mosse

The Enclave, 2012

1316mm infrared film transferred to HD video
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