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Richard Tuttle

New York, New Mexico #5, 1998

Acrylic on fir plywood
21 1/2 × 22 in
54.6 × 55.9 cm
Contact For Price
location
London, Palo Alto, Seoul, Hong Kong, Geneva, New York
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Richard Tuttle
American, b. 1941
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Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have been inventively assembled and exhibited. Much of Tuttle’s work rethinks the potential of the line; the installation Ten Kinds of Memory and Memory Itself (1973) featured a pencil line that detached from the wall it was drawn on and continued as string along the floor. Tuttle’s sculptures experiment with space in similarly inspired ways and are constructed using a panoply of industrial and organic materials, including shrink wrap, tape, metal, paper, and balloons.

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View in room
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Save
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Richard Tuttle
American, b. 1941
Follow

Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have been inventively assembled and exhibited. Much of Tuttle’s work rethinks the potential of the line; the installation Ten Kinds of Memory and Memory Itself (1973) featured a pencil line that detached from the wall it was drawn on and continued as string along the floor. Tuttle’s sculptures experiment with space in similarly inspired ways and are constructed using a panoply of industrial and organic materials, including shrink wrap, tape, metal, paper, and balloons.

Richard Tuttle

New York, New Mexico #5, 1998

Acrylic on fir plywood
21 1/2 × 22 in
54.6 × 55.9 cm
Contact For Price
location
London, Palo Alto, Seoul, Hong Kong, Geneva, New York
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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