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Richard Tuttle

Onoma, 2000

Cast bronze multiple with brass screw, contained in the original wooden box with drill template and printed title.
2 4/5 × 4 1/10 × 2 in
7.2 × 10.3 × 5.2 cm
Bidding closed
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About the work
Bibliography
P
Phillips

From the Catalogue:
"Beginning in the mid-1960s, Tuttle began to create eccentrically-shaped …

Read more

From the Catalogue:
"Beginning in the mid-1960s, Tuttle began to create eccentrically-shaped painted wood reliefs, followed by ideograms made of galvanized tin, and unstretched, shaped canvases dyed in offbeat colors that fall squarely within the Postminimalist tradition. As his work evolved, it increasingly …

Read more
Signature
Signed and numbered 'AP 5/5' in black ink on the accompanying Certificate of Authenticity (an artist's proof aside from the edition of 15), … Read more
Richard Tuttle
American, b. 1941
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Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have been inventively assembled and exhibited. Much of Tuttle’s work rethinks the potential of the line; the installation Ten Kinds of Memory and Memory Itself (1973) featured a pencil line that detached from the wall it was drawn on and continued as string along the floor. Tuttle’s sculptures experiment with space in similarly inspired ways and are constructed using a panoply of industrial and organic materials, including shrink wrap, tape, metal, paper, and balloons.

Save
Save
share
Share
Save
Save
share
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About the work
Bibliography
P
Phillips

From the Catalogue:
"Beginning in the mid-1960s, Tuttle began to create eccentrically-shaped …

Read more

From the Catalogue:
"Beginning in the mid-1960s, Tuttle began to create eccentrically-shaped painted wood reliefs, followed by ideograms made of galvanized tin, and unstretched, shaped canvases dyed in offbeat colors that fall squarely within the Postminimalist tradition. As his work evolved, it increasingly …

Read more
Signature
Signed and numbered 'AP 5/5' in black ink on the accompanying Certificate of Authenticity (an artist's proof aside from the edition of 15), … Read more
Richard Tuttle
American, b. 1941
Follow

Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have been inventively assembled and exhibited. Much of Tuttle’s work rethinks the potential of the line; the installation Ten Kinds of Memory and Memory Itself (1973) featured a pencil line that detached from the wall it was drawn on and continued as string along the floor. Tuttle’s sculptures experiment with space in similarly inspired ways and are constructed using a panoply of industrial and organic materials, including shrink wrap, tape, metal, paper, and balloons.

Richard Tuttle

Onoma, 2000

Cast bronze multiple with brass screw, contained in the original wooden box with drill template and printed title.
2 4/5 × 4 1/10 × 2 in
7.2 × 10.3 × 5.2 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Richard Tuttle