Richard Tuttle, ‘Source of Imagery, II, No. 3’, 1995-1996, Phillips
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Richard Tuttle

Source of Imagery, II, No. 3, 1995-1996

Acrylic and gouache drawing on two sheets of layered wove paper.
15 × 15 in
38.1 × 38.1 cm
Bidding closed
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About the work
P
Phillips

To benefit the Skowhegan 50 Years Anniversary, framed.

Medium
Painting
Richard Tuttle
American, b. 1941
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Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have been inventively assembled and exhibited. Much of Tuttle’s work rethinks the potential of the line; the installation Ten Kinds of Memory and Memory Itself (1973) featured a pencil line that detached from the wall it was drawn on and continued as string along the floor. Tuttle’s sculptures experiment with space in similarly inspired ways and are constructed using a panoply of industrial and organic materials, including shrink wrap, tape, metal, paper, and balloons.

Richard Tuttle, ‘Source of Imagery, II, No. 3’, 1995-1996, Phillips
Save
Save
View
View in room
Share
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About the work
P
Phillips

To benefit the Skowhegan 50 Years Anniversary, framed.

Medium
Painting
Richard Tuttle
American, b. 1941
Follow

Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have been inventively assembled and exhibited. Much of Tuttle’s work rethinks the potential of the line; the installation Ten Kinds of Memory and Memory Itself (1973) featured a pencil line that detached from the wall it was drawn on and continued as string along the floor. Tuttle’s sculptures experiment with space in similarly inspired ways and are constructed using a panoply of industrial and organic materials, including shrink wrap, tape, metal, paper, and balloons.

Richard Tuttle

Source of Imagery, II, No. 3, 1995-1996

Acrylic and gouache drawing on two sheets of layered wove paper.
15 × 15 in
38.1 × 38.1 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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