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Richard Tuttle

Untitled (GREY WHITE FOR ARTIFICIAL LIGHT), 1986

Chipboard, acrylic paint, polystyrene, and hot melt adhesive
23 × 13 1/2 × 2 1/2 in
58.4 × 34.3 × 6.4 cm
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location
New York
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About the work
Exhibition history
Bibliography
Provenance
Richard Tuttle
American, b. 1941
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Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have …

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Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have been inventively assembled and exhibited. Much of Tuttle’s work rethinks the potential of the line; the installation Ten Kinds of Memory and Memory Itself (1973) featured a pencil line that detached from the wall it was …

Read more
Save
Save
share
Share
Save
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share
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About the work
Exhibition history
Bibliography
Provenance
Richard Tuttle
American, b. 1941
Follow

Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have …

Read more

Richard Tuttle’s multifarious oeuvre is a study in scale and line using common materials that have been inventively assembled and exhibited. Much of Tuttle’s work rethinks the potential of the line; the installation Ten Kinds of Memory and Memory Itself (1973) featured a pencil line that detached from the wall it was …

Read more

Richard Tuttle

Untitled (GREY WHITE FOR ARTIFICIAL LIGHT), 1986

Chipboard, acrylic paint, polystyrene, and hot melt adhesive
23 × 13 1/2 × 2 1/2 in
58.4 × 34.3 × 6.4 cm
Contact For Price
location
New York
Have a question? Read our FAQ.
Want to sell a work by this artist? Learn more.
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