Rina Banerjee, ‘Preternatural passage came from wet whiteness and mercantile madness, paid for circular migrations, she went thirty six directions that is all the more different, where empire threw her new born and heritage claimed as well, this lady bug was not scarlet her wound was rather shaped like garlic seemed colored, a bit more of sulfuric, could eat what was fungus her cloth punctuated by tender greenness she seemed to be again pregnant’, 2011, Hosfelt Gallery

About Rina Banerjee

New York–based Indian artist Rina Banerjee's iridescent sculptural installations and dreamy, exotically colored drawings and paintings of birds, beasts, and demigods explore fusions of materials and cultures. Her work typically incorporates a wide range of objects and media, including taxidermy alligators, wooden cots, ostrich eggs, light bulbs, umbrellas, saris, pigments, shells, and feathers. Banerjee has called her practice an examination of diasporas and journeys, “specific colonial moments that reinvent place and identity.” Synthesizing mythology, religion, anthropology, and fairy tales, she is equally informed by Western culture and Eastern tradition, particularly Tibetan, Himalayan, and Indian art.

Indian, b. 1963, Kolkata, India, based in New York, New York