Medium

On the borderline between reality and imagination, Rinus Van de Velde’s large-scale charcoal drawings combine humour, observation and hearty helpings of existential angst. His “fictional autobiographies” draw viewers into scenes from fragmented narratives, cinematographic stills from a seemingly larger story where the artist himself is continuously re-cast and re-invented as protagonist.

Born in Leuven, Belgium, Van de Velde trained at the St Lucas School of Arts in Antwerp before completing postgraduate studies at the Higher Institute of Fine Arts in Ghent (2010). Although first attracted to sculpture, Van de Velde always enjoyed the “easiness” of drawing, the need for no more than pencil and paper. Large-scale works enable him to “sculpt the charcoal with my fingers and palms,” creating an enveloping, near 3-D effect.

Van de Velde cites influences ranging from Philip Guston to Jean-Michel Basquiat and fellow drawers, Paul Noble and Raymond Pettibon, while his own pieces are fruit of a creative process which involves building sets, then staging and photographing each scene before expressing his narratives on canvass. The works’ photographic quality lends authenticity, while captions provide further clues for viewers.

Since 2004, Van de Velde has participated in group shows the world over. He has held more than 30 solo exhibitions across Europe and the USA, including at prestigious museum venues such as CAC, Malaga, Kunsthalle, Sao Paolo, and SMAK, Ghent.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Coleccion SOLO
Selected exhibitions
2021
Jonathan Meese & Rinus Van de Velde // Two of HeartsGalleri Bo Bjerggaard
2020
Rinus Van de Velde - Let the engine runKÖNIG GALERIE
2019
Rinus Van De Velde: I've Lived For So Many Days Now, ...KÖNIG GALERIE
View all

I already leave the dog out, 2019

Color pencil on paper, framed
27 1/10 × 27 3/10 × 1 3/5 in
68.9 × 69.4 × 4 cm
.
€12,000
Location
Berlin, London, Seoul
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Medium

On the borderline between reality and imagination, Rinus Van de Velde’s large-scale charcoal drawings combine humour, observation and hearty helpings of existential angst. His “fictional autobiographies” draw viewers into scenes from fragmented narratives, cinematographic stills from a seemingly larger story where the artist himself is continuously re-cast and re-invented as protagonist.

Born in Leuven, Belgium, Van de Velde trained at the St Lucas School of Arts in Antwerp before completing postgraduate studies at the Higher Institute of Fine Arts in Ghent (2010). Although first attracted to sculpture, Van de Velde always enjoyed the “easiness” of drawing, the need for no more than pencil and paper. Large-scale works enable him to “sculpt the charcoal with my fingers and palms,” creating an enveloping, near 3-D effect.

Van de Velde cites influences ranging from Philip Guston to Jean-Michel Basquiat and fellow drawers, Paul Noble and Raymond Pettibon, while his own pieces are fruit of a creative process which involves building sets, then staging and photographing each scene before expressing his narratives on canvass. The works’ photographic quality lends authenticity, while captions provide further clues for viewers.

Since 2004, Van de Velde has participated in group shows the world over. He has held more than 30 solo exhibitions across Europe and the USA, including at prestigious museum venues such as CAC, Malaga, Kunsthalle, Sao Paolo, and SMAK, Ghent.

Blue chip
Represented by internationally recognized galleries.
Collected by a major museum
Coleccion SOLO
Selected exhibitions (3)
Other works by Rinus Van de Velde
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