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Robert Indiana

DECADE: Vinalhaven Suite Autoportrait #0: VINALHAVEN, 1980

Framed screen print on Fabriano Classico paper
28 3/4 × 28 3/4 × 1 1/2 in
73 × 73 × 3.8 cm
Edition 19/125
This is part of a limited edition set.
Contact For Price
location
Austin
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About the work
Provenance
Pascal Fine Art
Austin
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DECADE: AUTOPORTRAIT Vinalhaven Suite 1980
Paper size: 26.75"x 26.75"
Framed size: …

Read more

DECADE: AUTOPORTRAIT Vinalhaven Suite 1980
Paper size: 26.75"x 26.75"
Framed size: 28.75" x 28.75"
A superb impression with strong colors.
Edition of 125 (there were also 10 artist's proofs).

Medium
Print
Condition
Excellent condition
Signature
Hand-signed by artist, Signed and dated in pencil lower right Robert Indiana (American b. 1928), numbered 19/125
Frame
Included
Series
Vinalhaven Suite Autoportraits
Publisher
Published by Multiples, New York, Domberger Silkscreen
Robert Indiana
American, 1928–2018
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One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.

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navigate right
Save
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About the work
Provenance
Pascal Fine Art
Austin
Follow

DECADE: AUTOPORTRAIT Vinalhaven Suite 1980
Paper size: 26.75"x 26.75"
Framed size: …

Read more

DECADE: AUTOPORTRAIT Vinalhaven Suite 1980
Paper size: 26.75"x 26.75"
Framed size: 28.75" x 28.75"
A superb impression with strong colors.
Edition of 125 (there were also 10 artist's proofs).

Medium
Print
Condition
Excellent condition
Signature
Hand-signed by artist, Signed and dated in pencil lower right Robert Indiana (American b. 1928), numbered 19/125
Frame
Included
Series
Vinalhaven Suite Autoportraits
Publisher
Published by Multiples, New York, Domberger Silkscreen
Robert Indiana
American, 1928–2018
Follow

One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.

Robert Indiana

DECADE: Vinalhaven Suite Autoportrait #0: VINALHAVEN, 1980

Framed screen print on Fabriano Classico paper
28 3/4 × 28 3/4 × 1 1/2 in
73 × 73 × 3.8 cm
Edition 19/125
This is part of a limited edition set.
Contact For Price
location
Austin
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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