RW
Rago/Wright

Sheet measures: 29.25 h x 23.25 w inches.
Signed, dated and numbered to lower margin '73/100 R. Indiana 68'. This work is number 73 from the edition of 100 printed by Domberger KG, Stuttgart and published by Rolf-Günter Dienst, Germany.

Medium

One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.

High auction record
$4.1m, Christie's, 2011
Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions
2019
Robert IndianaKasmin
2016
This Is a Portrait If I Say So: Identity in American Art, 1912 to TodayBowdoin College Museum of Art
2014
Witness: Art and Civil Rights in the SixtiesBrooklyn Museum
View all

German Love, 1968

Screenprint on paper
22 × 22 in
55.9 × 55.9 cm
Bidding closed
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RW
Rago/Wright

Sheet measures: 29.25 h x 23.25 w inches.
Signed, dated and numbered to lower margin '73/100 R. …

Medium

One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.

High auction record
$4.1m, Christie's, 2011
Established
Represented by industry leading galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields
Selected exhibitions (3)
More from this series
View series
Other works by Robert Indiana
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