
Robert Indiana
LOVE, (Red, Purple, Green) from The Book of Love portfolio, 1996

Robert Indiana
Book of Love (Red, Purple, Green), 1996
Serigraph in colors on ANW Crestwood Museum
24 …

One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.


Robert Indiana
Book of Love (Red, Purple, Green), 1996
Serigraph in colors on ANW Crestwood Museum
24 x 20 inches; 61 x 50.8 cm
28 x 26 inches; 71.12 x 66 cm (frame)
Signed, dated and numbered in pencil
Edition 12/200

One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.