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Robert Indiana, ‘LOVE (Red Yellow Orange)’, 1996, Puccio Fine Art
Robert Indiana, ‘LOVE (Red Yellow Orange)’, 1996, Puccio Fine Art
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Robert Indiana

LOVE (Red Yellow Orange), 1996

Serigraph
18 × 17 3/4 in
45.7 × 45.1 cm
This is part of a limited edition set.
Sold
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About the work
Puccio Fine Art

Love
1996
Serigraph
Sheet: 24 x 19.5 inches
Image: 18 x 17.75 inches
Signed, dated and numbered in pencil

Love
1996
Serigraph
Sheet: 24 x 19.5 inches
Image: 18 x 17.75 inches
Signed, dated and numbered in pencil
Edition of 200

Medium
Print
Signature
Signed, dated and numbered in pencil
Robert Indiana
American, 1928–2018
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One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.

Robert Indiana, ‘LOVE (Red Yellow Orange)’, 1996, Puccio Fine Art
Robert Indiana, ‘LOVE (Red Yellow Orange)’, 1996, Puccio Fine Art
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Puccio Fine Art

Love
1996
Serigraph
Sheet: 24 x 19.5 inches
Image: 18 x 17.75 inches
Signed, dated and numbered in pencil

Love
1996
Serigraph
Sheet: 24 x 19.5 inches
Image: 18 x 17.75 inches
Signed, dated and numbered in pencil
Edition of 200

Medium
Print
Signature
Signed, dated and numbered in pencil
Robert Indiana
American, 1928–2018
Follow

One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.

Robert Indiana

LOVE (Red Yellow Orange), 1996

Serigraph
18 × 17 3/4 in
45.7 × 45.1 cm
This is part of a limited edition set.
Sold
Want to sell a work by this artist? Consign with Artsy.
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