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Robert Indiana

Paris Review (Sheehan, 34), 1965

Silkscreen in colors on off-white heavy wove paper. Pencil Dated Signed & Numbered from the limited edition of 150. Unframed.
26 × 26 in
66 × 66 cm
Edition of 150
This is part of a limited edition set.
$10,000
Ships from New York, NY, US
Free shipping worldwide
location
New York City
Have a question? Read our FAQ or ask a specialist.
Want to sell a work by this artist? Learn more.
About the work
Bibliography
Alpha 137 Gallery
New York City
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Publisher: Paris Review, New York
Printer: Neville Powers and Steve Poleskie, Chiron Press, New …

Read more

Publisher: Paris Review, New York
Printer: Neville Powers and Steve Poleskie, Chiron Press, New York, NY
Pencil signed, numbered and dated from the limited edition of 150. This dramatic early work was created in 1965 for The Paris Review, which commissioned a group of major contemporary artists for a series of prints to …

Read more
Condition
Very good condition
Signature
Hand-signed by artist, Signed, dated and numbered in pencil lower right
Certificate of authenticity
Included
Frame
Not included
Publisher
Publisher: Paris Review, New York Printer: Neville Powers and Steve Poleskie, Chiron Press, New York, NY
Price ranges of medium-sized prints by Robert Indiana
Learn more
Browse works in this category
$9,000+
This work
$0
$9,450+
Robert Indiana
American, 1928–2018
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One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from …

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One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and …

Read more
navigate left
navigate right
Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Bibliography
Alpha 137 Gallery
New York City
Follow

Publisher: Paris Review, New York
Printer: Neville Powers and Steve Poleskie, Chiron Press, New …

Read more

Publisher: Paris Review, New York
Printer: Neville Powers and Steve Poleskie, Chiron Press, New York, NY
Pencil signed, numbered and dated from the limited edition of 150. This dramatic early work was created in 1965 for The Paris Review, which commissioned a group of major contemporary artists for a series of prints to …

Read more
Condition
Very good condition
Signature
Hand-signed by artist, Signed, dated and numbered in pencil lower right
Certificate of authenticity
Included
Frame
Not included
Publisher
Publisher: Paris Review, New York Printer: Neville Powers and Steve Poleskie, Chiron Press, New York, NY
Price ranges of medium-sized prints by Robert Indiana
Learn more
Browse works in this category
$9,000+
This work
$0
$9,450+
Robert Indiana
American, 1928–2018
Follow

One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from …

Read more

One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and …

Read more

Robert Indiana

Paris Review (Sheehan, 34), 1965

Silkscreen in colors on off-white heavy wove paper. Pencil Dated Signed & Numbered from the limited edition of 150. Unframed.
26 × 26 in
66 × 66 cm
Edition of 150
This is part of a limited edition set.
$10,000
Ships from New York, NY, US
Free shipping worldwide
location
New York City
Have a question? Read our FAQ or ask a specialist.
Want to sell a work by this artist? Learn more.
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