Robert Indiana, ‘Purim: The Four Facets of Esther (II)’, 1967, Skinner

Proof outside of the edition of 60, published by The Jewish Museum, New York (Sheehan, 36).

Image size 26.5 x 21.5 in. (67.2 x 54.5 cm), framed.

Condition: Gentle rippling, not examined out of frame.
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Signature: Signed and dated "R Indiana 1967" in pencil l.r., titled in pencil l.l., inscribed "(ARTIST'S PROOF)" in pencil l.c.

About Robert Indiana

One of the central figures of the Pop Art movement, Robert Indiana takes his inspiration from commercial signs, claiming: “There are more signs than trees in America. There are more signs than leaves. So I think of myself as a painter of American landscape.” In his paintings, sculptures, and prints, he mimics and re-arranges the words and numbers of a myriad of signs, including the Phillips 66 gas station logo and the “Yield” traffic sign. He is most famous for his “LOVE” paintings and sculptures, first produced in the 1960s. Creating a block out of the word—with the “L” and the “O” set atop the “V” and the “E”—Indiana has effectively inserted his own sign into the mix.

American, 1928-2018, New Castle, IN, United States, based in New York, NY, United States