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Robert Longo

Hell's Gate, 2005

Archival pigment print
39 × 39 in
99.1 × 99.1 cm
Edition of 30
This is part of a limited edition set.
Contact For Price
location
Washington
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
About the work
Provenance
Signature
Signed, numbered and dated on lower recto.
Series
Monsters
Publisher
Adamson Editions
Image rights
Robert Longo
Robert Longo
American, b. 1953
Follow

Robert Longo burst onto the New York art scene as a brash 25-year-old with “Men in the Cities,” his iconic 1983 large-scale charcoal drawings of businessmen posing in uncanny contortions. “I always imagine that I want to make art that is going to kill you,” he said in 1984. “Whether it’s going to do it visually or physically, I’ll take either way.” Longo works and reworks his charcoal into thick-textured surfaces, giving his velvety drawings deep, blackened expanses and sharply contrasting whites; his forms are at once representational and softly elusive. Having been fascinated with popular culture as a child, Longo centers his practice on transposing images and the resulting transformation of meaning, linking him with the Pictures Generation. “An artist should know art history,” he says. “Shock value only lasts so long.” His recent works have included series depicting women in burkas, ocean waves, nuclear explosions, views of Sigmund Freud’s apartment, and zoo animals in cages.

Save
Save
view
View in room
share
Share
Save
Save
view
View in room
share
Share
About the work
Provenance
Signature
Signed, numbered and dated on lower recto.
Series
Monsters
Publisher
Adamson Editions
Image rights
Robert Longo
Robert Longo
American, b. 1953
Follow

Robert Longo burst onto the New York art scene as a brash 25-year-old with “Men in the Cities,” his iconic 1983 large-scale charcoal drawings of businessmen posing in uncanny contortions. “I always imagine that I want to make art that is going to kill you,” he said in 1984. “Whether it’s going to do it visually or physically, I’ll take either way.” Longo works and reworks his charcoal into thick-textured surfaces, giving his velvety drawings deep, blackened expanses and sharply contrasting whites; his forms are at once representational and softly elusive. Having been fascinated with popular culture as a child, Longo centers his practice on transposing images and the resulting transformation of meaning, linking him with the Pictures Generation. “An artist should know art history,” he says. “Shock value only lasts so long.” His recent works have included series depicting women in burkas, ocean waves, nuclear explosions, views of Sigmund Freud’s apartment, and zoo animals in cages.

Robert Longo

Hell's Gate, 2005

Archival pigment print
39 × 39 in
99.1 × 99.1 cm
Edition of 30
This is part of a limited edition set.
Contact For Price
location
Washington
Have a question? Read our FAQ.
Want to sell a work by this artist? Consign with Artsy.
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