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Robert Longo

Untitled (Janet, from the Men in the Cities Series), 1981/2016

Archival pigment print in colours, on Canson Platine fiber paper, with full margins.
18 × 14 1/10 in
45.7 × 35.7 cm
Edition 83/100 + 20AP
Bidding closed
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About the work
P
Phillips

Property Subject to US Import Tariffs (see Conditions of Sale for further information)

I. 37.5 x …

Read more

Property Subject to US Import Tariffs (see Conditions of Sale for further information)

I. 37.5 x 25.4 cm (14 3/4 x 10 in.)
S. 45.7 x 35.7 cm (17 7/8 x 14 in.)

Medium
Print
Signature
Signed, dated and numbered 83/100 in black ink (there were also 20 artist's proofs), published by Texte zur Kunst, Berlin, unframed.
Robert Longo
American, b. 1953
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Robert Longo burst onto the New York art scene as a brash 25-year-old with “Men in the Cities,” his iconic 1983 large-scale charcoal drawings of businessmen posing in uncanny contortions. “I always imagine that I want to make art that is going to kill you,” he said in 1984. “Whether it’s going to do it visually or physically, I’ll take either way.” Longo works and reworks his charcoal into thick-textured surfaces, giving his velvety drawings deep, blackened expanses and sharply contrasting whites; his forms are at once representational and softly elusive. Having been fascinated with popular culture as a child, Longo centers his practice on transposing images and the resulting transformation of meaning, linking him with the Pictures Generation. “An artist should know art history,” he says. “Shock value only lasts so long.” His recent works have included series depicting women in burkas, ocean waves, nuclear explosions, views of Sigmund Freud’s apartment, and zoo animals in cages.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
P
Phillips

Property Subject to US Import Tariffs (see Conditions of Sale for further information)

I. 37.5 x …

Read more

Property Subject to US Import Tariffs (see Conditions of Sale for further information)

I. 37.5 x 25.4 cm (14 3/4 x 10 in.)
S. 45.7 x 35.7 cm (17 7/8 x 14 in.)

Medium
Print
Signature
Signed, dated and numbered 83/100 in black ink (there were also 20 artist's proofs), published by Texte zur Kunst, Berlin, unframed.
Robert Longo
American, b. 1953
Follow

Robert Longo burst onto the New York art scene as a brash 25-year-old with “Men in the Cities,” his iconic 1983 large-scale charcoal drawings of businessmen posing in uncanny contortions. “I always imagine that I want to make art that is going to kill you,” he said in 1984. “Whether it’s going to do it visually or physically, I’ll take either way.” Longo works and reworks his charcoal into thick-textured surfaces, giving his velvety drawings deep, blackened expanses and sharply contrasting whites; his forms are at once representational and softly elusive. Having been fascinated with popular culture as a child, Longo centers his practice on transposing images and the resulting transformation of meaning, linking him with the Pictures Generation. “An artist should know art history,” he says. “Shock value only lasts so long.” His recent works have included series depicting women in burkas, ocean waves, nuclear explosions, views of Sigmund Freud’s apartment, and zoo animals in cages.

Robert Longo

Untitled (Janet, from the Men in the Cities Series), 1981/2016

Archival pigment print in colours, on Canson Platine fiber paper, with full margins.
18 × 14 1/10 in
45.7 × 35.7 cm
Edition 83/100 + 20AP
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
Other works by Robert Longo