Robert Mangold, ‘Untitled, from A Book of Silkscreen Prints, Multiple Panel Paintings’, 1992, Heritage Auctions
Robert Mangold, ‘Untitled, from A Book of Silkscreen Prints, Multiple Panel Paintings’, 1992, Heritage Auctions
Robert Mangold, ‘Untitled, from A Book of Silkscreen Prints, Multiple Panel Paintings’, 1992, Heritage Auctions
Robert Mangold, ‘Untitled, from A Book of Silkscreen Prints, Multiple Panel Paintings’, 1992, Heritage Auctions
Robert Mangold, ‘Untitled, from A Book of Silkscreen Prints, Multiple Panel Paintings’, 1992, Heritage Auctions

Framed: 41.25in x 29.5in x 0in

Signature: Each signed and dated in pencil lower right

Publisher: Co-published by Edition Domberger, Filderstadt, West Germany and Parasol Press, New York, 1992

Sandback, 12.01-12.09A.

About Robert Mangold

Robert Mangold’s paintings, derived from the idea of geometry and asymmetry in shape and form, challenge the limits of the two-dimensional medium, beginning with his early works, which featured irregular canvases of varying sizes spray-painted in unobtrusive browns and tans. Mangold has been associated with Minimalism, however he also recalls sources from Ancient Greek pottery to Renaissance frescoes. For example, in his “Column Structure” paintings (2005-06), the artist demonstrated the evolution of his signature asymmetrical canvases into a vertical plane, evoking classical architectural elements; the delicate and muted stain contrasting the precision of his geometric shapes.

American, b. 1937, North Tonawanda, New York