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Robert Mangold

Untitled (three Column drawings), 2003 -2005

Three pastel and pencil drawings in colors, on wove paper
9 9/10 × 7 9/10 in
25.1 × 20 cm
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About the work
Provenance
P
Phillips

Property from a Private Midwestern Collection

All images: various sizes
All sheets: 9 7/8 x 7 7/8 …

Read more

Property from a Private Midwestern Collection

All images: various sizes
All sheets: 9 7/8 x 7 7/8 in. (25.1 x 20 cm)
All framed

Signature
All signed with initials and dated 2003, 2004 and 2005 in pencil respectively
Robert Mangold
American, b. 1937
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Robert Mangold’s paintings, derived from the idea of geometry and asymmetry in shape and form, challenge the limits of the two-dimensional medium, beginning with his early works, which featured irregular canvases of varying sizes spray-painted in unobtrusive browns and tans. Mangold has been associated with Minimalism, however he also recalls sources from Ancient Greek pottery to Renaissance frescoes. For example, in his “Column Structure” paintings (2005-06), the artist demonstrated the evolution of his signature asymmetrical canvases into a vertical plane, evoking classical architectural elements; the delicate and muted stain contrasting the precision of his geometric shapes.

Save
Save
view
View in room
share
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Save
Save
view
View in room
share
Share
About the work
Provenance
P
Phillips

Property from a Private Midwestern Collection

All images: various sizes
All sheets: 9 7/8 x 7 7/8 …

Read more

Property from a Private Midwestern Collection

All images: various sizes
All sheets: 9 7/8 x 7 7/8 in. (25.1 x 20 cm)
All framed

Signature
All signed with initials and dated 2003, 2004 and 2005 in pencil respectively
Robert Mangold
American, b. 1937
Follow

Robert Mangold’s paintings, derived from the idea of geometry and asymmetry in shape and form, challenge the limits of the two-dimensional medium, beginning with his early works, which featured irregular canvases of varying sizes spray-painted in unobtrusive browns and tans. Mangold has been associated with Minimalism, however he also recalls sources from Ancient Greek pottery to Renaissance frescoes. For example, in his “Column Structure” paintings (2005-06), the artist demonstrated the evolution of his signature asymmetrical canvases into a vertical plane, evoking classical architectural elements; the delicate and muted stain contrasting the precision of his geometric shapes.

Robert Mangold

Untitled (three Column drawings), 2003 -2005

Three pastel and pencil drawings in colors, on wove paper
9 9/10 × 7 9/10 in
25.1 × 20 cm
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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Minimalism