Robert Motherwell, ‘At the Edge (W.A.C. 345)’, 1984, Sotheby's

Property from the Private Collection of Robert Motherwell and Renate Ponsold Motherwell

Initialed in red ink and inscribed 'trial proof', one of seven trial proofs aside from the numbered edition of 34 plus seven artist's proofs, on Auvergne à la Main Richard de Bas handmade paper, published by the artist and with his blindstamp, released by Tyler Graphics Ltd., Mount Kisco, New York, framed.

image: 397 by 470 mm 15 5/8 by 18 1/2 in
sheet: 580 by 638 mm 22 7/8 by 25 1/8 in

About Robert Motherwell

Alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, Robert Motherwell is considered one of the great American Abstract Expressionist painters. His esteemed intellect not only undergirded his gorgeous, expressive paintings—frequently featuring bold black shapes against fields of color—but also made Motherwell one of the leading writers, theorists, and advocates of the New York School. He forged close friendships with the European Surrealists and other intellectuals over his interests in poetry and philosophy, and as such served as a vital link between the pre-war avant-garde in Europe and its post-war counterpart in New York, establishing automatism and psychoanalysis as central concerns of American abstraction. "It's not that the creative act and the critical act are simultaneous," Motherwell said. "It's more like you blurt something out and then analyze it.

American, 1915-1991, Aberdeen, Washington, based in New York and Greenwich, Connecticut