Robert Motherwell, ‘Elegy to the Spanish Republic No. 60’, 1960, Bernard Jacobson Gallery

Signature: Signed 'RM 60' upper right (recto)

Sidney Janis Gallery, New York, Robert Motherwell, April 1961, cat. no. 8, illus. n.p.
Dominique Levy Gallery, New York, Robert Motherwell: Elegy to the Spanish Republic, 4 November 2015 - 9 January 2016

Robert Motherwell, exhibition catalogue, Sidney Janis Gallery, New York, 1961 (cat. no. 8, illus. n.p.)
Flam, J., Rogers, K., Clifford, T., 2012. Robert Motherwell Paintings and Collages: A Catalogue Raisonné 1941 – 1991. New Haven: Yale University Press. Volume 3, p. 458-459, W111.

Harriet Mnuchin Weiner, 1961
Christie's, New York, May 10, 1983, Lot 11, illus.
Martin Selig, 1983

About Robert Motherwell

Alongside Jackson Pollock, Mark Rothko, and Willem de Kooning, Robert Motherwell is considered one of the great American Abstract Expressionist painters. His esteemed intellect not only undergirded his gorgeous, expressive paintings—frequently featuring bold black shapes against fields of color—but also made Motherwell one of the leading writers, theorists, and advocates of the New York School. He forged close friendships with the European Surrealists and other intellectuals over his interests in poetry and philosophy, and as such served as a vital link between the pre-war avant-garde in Europe and its post-war counterpart in New York, establishing automatism and psychoanalysis as central concerns of American abstraction. "It's not that the creative act and the critical act are simultaneous," Motherwell said. "It's more like you blurt something out and then analyze it.

American, 1915-1991, Aberdeen, Washington, based in New York and Greenwich, Connecticut