Photographs from the Collection of Jeffrey M. Kaplan, Washington, D.C.
From the Catalogue:
About the Collector:
With a life-long passion for collecting, spurred by an intense, intellectual curiosity for art, Jeffrey M. Kaplan’s collection transcends classification and speaks to his devotion to all things cultural. Driven by an innate interest in learning about different cultures and ways of life, the photographs in his collection illustrate key moments and movements throughout the history of the medium, unified by the overarching theme of one man’s collecting journey.
The photographs on offer, lots 271-286, include works by leaders in the field, thus demonstrating Kaplan’s deep knowledge and keen awareness of the medium. From Alfred Stieglitz, and his selections for Camera Work, to Ansel Adams and Berenice Abbott, the classic is balanced by the contemporary with an equally impressive selection of works by Robert Mapplethorpe, Alec Soth and Robert Polidori. Kaplan’s particular affinity for Mapplethorpe is evident in the six lots on offer which show the photographer’s incredible depth and include the stunning dye transfer print, Flowers in Vase; the iconic photograph of Thomas that was selected by Patti Smith to grace the cover of Robert Mapplethorpe, her 1987 book on the photographer; and Wheat, a still-life that shows a masterful range of tonality.
This diverse selection reflects Kaplan’s constant interest in acquiring works that peaked his intellect, while offering the thrill that drives the most devoted of collectors.
—Courtesy of Phillips
Signature: Signed in ink, printed credit, title, date, and number 1/10 on a gallery label affixed to the reverse of the flush-mount.
Weinstein Gallery, Minneapolis
About Robert Polidori
Capturing the specific details of constructed and natural environments, Robert Polidori’s photographs trace the range of human psychology and activity through different spaces. Polidori has captured several facets of human experience, from the excesses of Versailles to the turmoil and tragedy of post-Katrina New Orleans. With each image, he eschews nostalgia and judgment, allowing the sharply focused details of the photograph to communicate particular elements of the subject’s psychology and history. Explaining his interest in interiors and architecture, Polidori has said, “Besides the obvious sheltering from the extremes of the elements, people make rooms to live in as if they are animated by an unconscious desire to return to a prenatal life, or even before that, to a soul life. This is what they exteriorize in rooms, their internal soul life, or less magically put, their personal values, if you will.”
Canadian, b. 1951, Montreal, Canada, based in New York, New York