Robert Rauschenberg, ‘"Cy is expecting your call 656-9832, Bob", Telegram’, 1973, VINCE fine arts/ephemera
Robert Rauschenberg, ‘"Cy is expecting your call 656-9832, Bob", Telegram’, 1973, VINCE fine arts/ephemera
Robert Rauschenberg, ‘"Cy is expecting your call 656-9832, Bob", Telegram’, 1973, VINCE fine arts/ephemera

Issued by Rauschenberg to Mr. & Mrs. Booth (collectors), Care of Hotel Astoria Florence Italy, "Cy is expecting your call 656-9832, Bob"

Signature: Not signed

Estate of Dodi Booth, NC

About Robert Rauschenberg

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

American, 1925-2008, Port Arthur, Texas, based in New York and Captiva Island, Florida

About Cy Twombly

Cy Twombly emerged in the 1950s, developing a characteristic painting style of expressive drips and active, scribbled, and scratched lines. “My line is childlike but not childish,” he once said. “It is very difficult to fake…to get that quality you need to project yourself into the child's line. It has to be felt.” Early influences included Willem de Kooning, Franz Kline, Jackson Pollock, and Robert Motherwell, but more formative would be his relationships with Robert Rauschenberg and Jasper Johns, along with whom he would distance himself from the dominance of Abstract Expressionism. Twombly's work also appeared in one of the first exhibitions to explore ideas of Minimalism—“Black, White, and Grey” (1964)—along with Agnes Martin, Frank Stella, and Andy Warhol. In addition to his paintings, which were sometimes dismissed as "high-art graffiti," he produced sculptures assembled from found objects, clay, and plaster, painted white to suggest an affinity to Classicism.

American, 1928-2011, Lexington, Virginia, based in New York and Rome

Exhibition Highlights

2015
Gagosian - Jason Ysenburg, 
NY,
Art Basel Miami Beach 2015
2015
Gagosian - Freja Harrell, 
New York,
Miami Basel 2015

Solo Shows

2015
Gagosian - Jason Ysenburg, 
NY,
Cy Twombly: Photographs
2015
New York,
2015
Gagosian - Freja Harrell, 
New York,
Twombly Leaving Paphos Install
2015
Gagosian - Freja Harrell, 
New York,
Twombly Blooming Install
2015
Gagosian - Freja Harrell, 
New York,
Twombly Last Paintings Install

Group Shows

2015
Gagosian - Jason Ysenburg, 
NY,
Art Basel Miami Beach 2015
2015
Gagosian - Freja Harrell, 
New York,
Miami Basel 2015
2015
Gagosian - Jason Ysenburg, 
NY,
Gagosian Grosvenor Hill
2015
Gagosian - Jason Ysenburg, 
NY,
Art Basel 2015
View Artist's CV