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Earth Tie, Stoned Moon Series, 1969

Lithograph on paper
48 × 34 in
121.9 × 86.4 cm
This is part of a limited edition set.
$4,500
Ships from New York, NY, US
Shipping: Free domestic, $350 rest of world
Location
New York, New York,
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Want to sell a work by this artist? Consign with Artsy.
About the work
Woodward Gallery
New York, New York,
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Edition 48

Robert Rauschenberg prints from the Stoned Moon Series reflects:
In 1969 Robert …

Read more

Edition 48

Robert Rauschenberg prints from the Stoned Moon Series reflects:
In 1969 Robert Rauschenberg was invited by NASA to witness the lift-off of Apollo 11 at Kennedy Space Center and to use this theme in his work. He created an important series of lithographs celebrating the astonishing achievements of the United …

Read more
Medium
Print
Condition
Great- excellent shape
Signature
Hand-signed by artist, Signed, numbered, and dated lower right
Certificate of authenticity
Not included
Frame
Not included
Price ranges of large prints by Robert Rauschenberg
Learn more
More info
Browse works in this category
$4,000–$6,000
This work
$0
$42,000+
Robert Rauschenberg
American, 1925–2008
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Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Navigate left
Navigate right
Save
Save
View
View in room
Share
Share
Save
Save
View
View in room
Share
Share
About the work
Woodward Gallery
New York, New York,
Follow

Edition 48

Robert Rauschenberg prints from the Stoned Moon Series reflects:
In 1969 Robert …

Read more

Edition 48

Robert Rauschenberg prints from the Stoned Moon Series reflects:
In 1969 Robert Rauschenberg was invited by NASA to witness the lift-off of Apollo 11 at Kennedy Space Center and to use this theme in his work. He created an important series of lithographs celebrating the astonishing achievements of the United …

Read more
Medium
Print
Condition
Great- excellent shape
Signature
Hand-signed by artist, Signed, numbered, and dated lower right
Certificate of authenticity
Not included
Frame
Not included
Price ranges of large prints by Robert Rauschenberg
Learn more
More info
Browse works in this category
$4,000–$6,000
This work
$0
$42,000+
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Earth Tie, Stoned Moon Series, 1969

Lithograph on paper
48 × 34 in
121.9 × 86.4 cm
This is part of a limited edition set.
$4,500
Ships from New York, NY, US
Shipping: Free domestic, $350 rest of world
Location
New York, New York,
Locked
Secure payment
Secure transactions by credit card through Stripe.
Learn more.
Want to sell a work by this artist? Consign with Artsy.
Other works by Robert Rauschenberg
Other works from Woodward Gallery