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Lot 280

Features 73, from Currents, 1970

Screenprint in colors, on Aqua B 844 paper, with full margins.
40 × 40 in
101.6 × 101.6 cm
Edition 4/50 + 4AP
Phillips
Estimated value: $800–$1,200
This work has a buyer's premium.
Starting bid
$650
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01d  11h  38m  16s
Live Oct 25, 2:00pm
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About the work
Bibliography
P
Phillips

I. 35 x 35 in. (88.9 x 88.9 cm)
S. 40 x 40 in. (101.6 x 101.6 cm)

I. 35 x 35 in. (88.9 x 88.9 cm)
S. 40 x 40 in. (101.6 x 101.6 cm)

Signature
Signed, dated and numbered 4/50 in pencil (there were also 4 artist's proofs), co-published by Dayton Gallery 12, Minneapolis and Leo … Read more
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

watch lot
Watch lot
view
View in room
share
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watch lot
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view
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About the work
Bibliography
P
Phillips

I. 35 x 35 in. (88.9 x 88.9 cm)
S. 40 x 40 in. (101.6 x 101.6 cm)

I. 35 x 35 in. (88.9 x 88.9 cm)
S. 40 x 40 in. (101.6 x 101.6 cm)

Signature
Signed, dated and numbered 4/50 in pencil (there were also 4 artist's proofs), co-published by Dayton Gallery 12, Minneapolis and Leo … Read more
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Lot 280

Features 73, from Currents, 1970

Screenprint in colors, on Aqua B 844 paper, with full margins.
40 × 40 in
101.6 × 101.6 cm
Edition 4/50 + 4AP
Phillips
Estimated value: $800–$1,200
This work has a buyer's premium.
Starting bid
$650
Place max bid
Set the maximum amount you would like Artsy to bid up to on your behalf
01d  11h  38m  16s
Live Oct 25, 2:00pm
By placing your bid you agree to Artsy's Conditions of Sale.
Have a question? Read our auction FAQs or ask a specialist.
Want to sell a work by this artist? Consign with Artsy.
Other works from Phillips: Editions & Works on Paper