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Features from Currents #76, 1970

Handprinted silkscreen in color on Aqua B 844 paper
40 × 40 in
101.6 × 101.6 cm
Edition of 50
This is part of a limited edition set.
Contact For Price
Location
Boston
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
About the work
Exhibition history
Krakow Witkin Gallery
Boston
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Robert Rauschenberg
Features from Currents #76
1970
Handprinted silkscreen in color on Aqua B 844 paper

Read more

Robert Rauschenberg
Features from Currents #76
1970
Handprinted silkscreen in color on Aqua B 844 paper
Image size: 35 x 35 inches (88.9 x 88.9 cm)
Paper size: 39 7/8 x 40 inches (101.3 x 101.6 cm)
Frame size: 41 3/4 x 41 3/4 inches (106 x 106 cm)
Edition of 50
Signed, numbered and dated lower right in graphite

Read more
Medium
Print
Signature
Signed, numbered and dated lower right in graphite
Publisher
Co-published by Dayton's Gallery 12, Minneapolis, and Castelli Graphics, New York
Image rights
Courtesy of Krakow Witkin Gallery, Boston
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Save
Save
View
View in room
Share
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Save
Save
View
View in room
Share
Share
About the work
Exhibition history
Krakow Witkin Gallery
Boston
Follow

Robert Rauschenberg
Features from Currents #76
1970
Handprinted silkscreen in color on Aqua B 844 paper

Read more

Robert Rauschenberg
Features from Currents #76
1970
Handprinted silkscreen in color on Aqua B 844 paper
Image size: 35 x 35 inches (88.9 x 88.9 cm)
Paper size: 39 7/8 x 40 inches (101.3 x 101.6 cm)
Frame size: 41 3/4 x 41 3/4 inches (106 x 106 cm)
Edition of 50
Signed, numbered and dated lower right in graphite

Read more
Medium
Print
Signature
Signed, numbered and dated lower right in graphite
Publisher
Co-published by Dayton's Gallery 12, Minneapolis, and Castelli Graphics, New York
Image rights
Courtesy of Krakow Witkin Gallery, Boston
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Features from Currents #76, 1970

Handprinted silkscreen in color on Aqua B 844 paper
40 × 40 in
101.6 × 101.6 cm
Edition of 50
This is part of a limited edition set.
Contact For Price
Location
Boston
Have a question? Visit our help center.
Want to sell a work by this artist? Consign with Artsy.
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