P
Phillips

Both framed.

Dimensions:
both approximately I. 18 x 15 1/8 in. (45.7 x 38.4 cm)
both approximately S. 24 x 17 5/8 in. (61 x 44.8 cm)

Medium
Signature
Both Signed, dated and numbered 33/84 and 36/79 in pencil (there were also 11 and 9 artist's proofs)
Publisher
Gemini G.E.L., Los Angeles

Over the course of his six-decade career, Robert Rauschenberg embraced pop culture, technical experimentation, and material eclecticism. Today, he’s perhaps best known for his radical, three-dimensional “Combines”—which he composed from discarded materials and mundane objects such as sheet metal, newspaper, tires, and umbrellas—and for his colorful silkscreen paintings on which he screen-printed, then painted over, collaged photographs sourced from books and magazines. In 1964, Rauschenberg made history when he became the first American to win the Golden Lion award at the Venice Biennale. In the years since, Rauschenberg has been the subject of solo shows at the Guggenheim, Tate Modern, Centre Pompidou, and Moderna Museet, among other institutions. His work belongs in collections worldwide and has sold for tens of millions at auction.

High auction record
US$88.8m, Christie's, 2019
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions
2018
Rauschenberg: In and About L.A.Los Angeles County Museum of Art
Rauschenberg: The 1/4 MileLos Angeles County Museum of Art
2017
Faurschou Foundation VeniceFaurschou Foundation
View all

Horsefeathers Thirteen-VII; and Horsefeathers Thirteen-VIII, from Horsefeathers Thirteen Series, 1976

Two offset lithographs with screenprint, pochoir, collage, and embossing in colors, on Jeff Goodman handmade buff paper, with full margins.
Bidding closed
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P
Phillips

Both framed.

Dimensions:
both approximately I. 18 x 15 1/8 in. (45.7 x 38.4 cm)
both approximately S. …

Medium
Signature
Both Signed, dated and numbered 33/84 and 36/79 in pencil (there were also 11 and 9 artist's proofs)
Publisher
Gemini G.E.L., Los Angeles

Over the course of his six-decade career, Robert Rauschenberg embraced pop culture, technical experimentation, and material eclecticism. Today, he’s perhaps best known for his radical, three-dimensional “Combines”—which he composed from discarded materials and mundane objects such as sheet metal, newspaper, tires, and umbrellas—and for his colorful silkscreen paintings on which he screen-printed, then painted over, collaged photographs sourced from books and magazines. In 1964, Rauschenberg made history when he became the first American to win the Golden Lion award at the Venice Biennale. In the years since, Rauschenberg has been the subject of solo shows at the Guggenheim, Tate Modern, Centre Pompidou, and Moderna Museet, among other institutions. His work belongs in collections worldwide and has sold for tens of millions at auction.

High auction record
US$88.8m, Christie's, 2019
Blue-chip
Represented by internationally recognized galleries.
Collected by major museums
Tate, Museum of Modern Art (MoMA), Indianapolis Museum of Art at Newfields, San Francisco Museum of Modern Art (SFMOMA)
Selected exhibitions (3)

Series by this artist

Other works by Robert Rauschenberg
Related artists