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Limited Edition Doubleluck Skate board , 2016

Mixed Media Silkscreen on 7-Ply 100% Canadian Maplewood Skate Board
31 × 8 in
78.7 × 20.3 cm
Edition of 300
This is an editioned multiple.
Sold
Want to sell a work by this artist? Consign with Artsy.
About the work

In the early 1970s, skate culture and street art became deeply intertwined, and a new medium for …

Read more

In the early 1970s, skate culture and street art became deeply intertwined, and a new medium for artists was born: the skate deck. In earlier days, when skateboarding was a still a subculture on the fringe, simply being a skater was enough to set oneself apart from the crowd. However, the growing popularity of the …

Read more
Alpha 137 Gallery
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Price includes complimentary worldwide packing and shipping. Limited Edition of only 300. This …

Read more

Price includes complimentary worldwide packing and shipping. Limited Edition of only 300. This skateboard features details from Robert Rauschenberg’s 1995 multi-media artwork Doubleluck and is produced in a limited edition of 300. Brand new with accompanying wall mounts.

Please check out our other listings below and …

Read more
Medium
Design/Decorative Art
Condition
Fine conditin
Signature
Signed on the deck.
Certificate of authenticity
Not included
Frame
Not included
Robert Rauschenberg
American, 1925–2008
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Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

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View
View in room
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About the work

In the early 1970s, skate culture and street art became deeply intertwined, and a new medium for …

Read more

In the early 1970s, skate culture and street art became deeply intertwined, and a new medium for artists was born: the skate deck. In earlier days, when skateboarding was a still a subculture on the fringe, simply being a skater was enough to set oneself apart from the crowd. However, the growing popularity of the …

Read more
Alpha 137 Gallery
Follow

Price includes complimentary worldwide packing and shipping. Limited Edition of only 300. This …

Read more

Price includes complimentary worldwide packing and shipping. Limited Edition of only 300. This skateboard features details from Robert Rauschenberg’s 1995 multi-media artwork Doubleluck and is produced in a limited edition of 300. Brand new with accompanying wall mounts.

Please check out our other listings below and …

Read more
Medium
Design/Decorative Art
Condition
Fine conditin
Signature
Signed on the deck.
Certificate of authenticity
Not included
Frame
Not included
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Limited Edition Doubleluck Skate board , 2016

Mixed Media Silkscreen on 7-Ply 100% Canadian Maplewood Skate Board
31 × 8 in
78.7 × 20.3 cm
Edition of 300
This is an editioned multiple.
Sold
Want to sell a work by this artist? Consign with Artsy.
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