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Literature, Tribute 21 series, 1994

Lithograph in colors on wove paper
41 × 27 in
104.1 × 68.6 cm
Edition 14/50
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
About the work
HA
Heritage Auctions

Framed: 48.75in x 34.75in x 2in

The series celebrates twenty-one different humanitarian themes for …

Read more

Framed: 48.75in x 34.75in x 2in

The series celebrates twenty-one different humanitarian themes for the twenty-first century.

Medium
Print
Signature
Signed, dated, and numbered in pencil lower left, with the blindstamp of thhe publisher
Publisher
Felissimo, Tokyo Printed by ULAE, West Islip
Image rights
Courtesy of Heritage Auctions
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Navigate left
Navigate right
Save
Save
View
View in room
Share
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Save
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View
View in room
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About the work
HA
Heritage Auctions

Framed: 48.75in x 34.75in x 2in

The series celebrates twenty-one different humanitarian themes for …

Read more

Framed: 48.75in x 34.75in x 2in

The series celebrates twenty-one different humanitarian themes for the twenty-first century.

Medium
Print
Signature
Signed, dated, and numbered in pencil lower left, with the blindstamp of thhe publisher
Publisher
Felissimo, Tokyo Printed by ULAE, West Islip
Image rights
Courtesy of Heritage Auctions
Robert Rauschenberg
American, 1925–2008
Follow

Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as the art world’s enfant terrible with works such as Erased de Kooning Drawing (1953), for which he requested a drawing (as well as permission) from Willem de Kooning, and proceeded to rub away the image until only ghostly marks remained on the paper. By 1954, Rauschenberg completed his first three-dimensional collage paintings—he called them Combines—in which he incorporated discarded materials and mundane objects to explore the intersection of art and life. “I think a picture is more like the real world when it’s made out of the real world,” he said. In 1964 he became the first American to win the International Grand Prize in Painting at the Venice Biennale. The 1/4 Mile or Two Furlong Piece (1981–98), a cumulative artwork, embodies his spirit of eclecticism, comprising a retrospective overview of his many discrete periods, including painting, fabric collage, sculptural components made from cardboard and scrap metal, as well as a variety of image transfer and printing methods.

Literature, Tribute 21 series, 1994

Lithograph in colors on wove paper
41 × 27 in
104.1 × 68.6 cm
Edition 14/50
This is part of a limited edition set.
Bidding closed
Want to sell a work by this artist? Consign with Artsy.
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